yeah, i'm already brainstorming for mosh issue #14. one of the main thing for this issue is this survey. i want as many people to answer this survey. do send your answer to nizangmosh@gmail.com, this issue will probably be an 'almost non-musical issue' or 'childhood issue' or 'survey issue'...we'll see...this is what you get for reading too much stuffs from microcosm, i think so...i'm also accepting (looking for) contributions of any sort (art, writing, poems,...) about childhood/growing up memories.
1.What’s the first zine you’ve read/seen?
2.What zines you read that gave you life-changing experience?
3.What are your favorite zines and why?
4.What’s the weirdest zine you’ve seen and how does it look like?
5.What’s the first hc/punk/DIY record/cd/tape you bought?
6.What’s the hc/punk/DIY band that changed your life?
Tahun 1995 aku mula terjebak dengar music alternative rock dan punk. Suatu malam dalam tahun 1996, teman kakak aku meminjamkan padanya beberapa naskah-naskah bersaiz A5 dengan berkulit kertas warna. Ia difotostet tapi reka letak agak menarik-aku ingat ianya difotostet dari majalah.
Tak lama lepas tu, aku nampak lagi benda alah ni kat jamming studio beranama MOM studio milik Kuyie, kali ini berkulit biru. Namanya Pang Zine isu pertama yang dibikin oleh Mat Pang –ada interview dengan band kampong aku, DPSA, ada review demo band The Rotten ‘Sketch Your Brain’ dan lain-lain. Lepas tu aku beli zine Pang #2, dan juga #3/4 double issue yang ditukar nama jadi PangCore kat tempat yang sama.
Dalam tahun tu jugak aku mula baca kolum kelolaan Joe Kidd dalam surat khabar The Sun yang kawan aku Samir bawak ke sekolah tiap minggu ke sekolah. Dalam kolum ni ada tulis pasal gig-gig kat Kolumpo, demo dan album band-band tempatan dan luar negara dan jugak review zine tempatan. Aku pun order la beberapa zine, aku masih ingat zine pertama aku order pakai pos adalah zine Hardkoi dari Temerloh. Zine ni banyak mengubah perspektif dalam hidup aku start dari time tu. Aku telan bulat-bulat apa yang ditulis. It was a life-changing experience. Dari ruangan review zine tu, aku order zine-zine lain macam Vortex From The East dan Sandwich skate zine.
Budak sekolah aku Abu bagi aku flyer masa ket sekolah. Flyer tu mintak sumbangan untuk isu sulung zine Go Straight Down. Aku pun tulis lah dan bagi gambar kawan-kawan main papan selaju masa tu. Aku jugak tulis pasal scene papan selaju kat kampong aku kat zine-zine lain macam Chaos PS, Most Wasted Skateboarding dan Simple zine.
Ada zine-zine yang aku dapat dan baca agak hampeh. Aku rasa aku boleh buat zine lagi bagus dari tu. Zine-zine yang aku bagi sumbangan tadi pun macam lambat je nak keluar, jadi aku rasa baik aku buat zine sendiri je. So, bermulalah kehidupan aku yang bergelar ‘editor zine’ sejak Januari 1999. Aku rasa antara sebab aku pilih nama Mosh untuk zine aku, sebab aku baca tulisan Fida dalam zine Chaos PS yang bertajuk ‘Mosh Equality’. Lagi satu sebab aku nak nama yang ringkas gila, senang orang nak sebut, senang ingat.
Antara benda yang aku sumbat dalam zine aku adalah lukisan dan contengan, tulisan merapek, interview band dan ulasan poyo zine dan rakaman-rakaman band tempatan dan luar negara sikit-sikit. Aku masih buat zine sampai sekarang, dah isu ke 13 dan dah berusia 11 tahun. Tak tahu lah sampai bila aku akan buat zine ni tapi kalau takde halangan dan idea masih belum kering, aku akan terus berusaha menyumbangkan tenaga untuk industri zine, punk rock dan DIY tempatan.
Ben (Conscious Zine) interviewed me through e-mail for one of his journalism assignments. I put it here for archiving purpose. Enjoy.
Can you tell me a little bit about yourself? How old are you, where are you originally from and where do you reside now?
I’ll be 28 next month. I was born in KL and spent my childhood days in KL. The whole family moved to Kuala Terengganu in 1994. I was introduced to punk rock and fanzine subculture there around 1995/96. I’m currently living in KL and working in Cyberjaya.
What do you do besides your zines?
I’m teaching design and creative modules in a local private university as a full-time job. I’m also currently doing my Masters degree. And my topic of research topic is about fanzine publication process and will focus on the local practitioners.
Can you tell our readers about Mosh other zines you have done? What topics do you discuss in your zines most often?
When it started out, Mosh zine focused on exposing bands that I like and also writing about skateboarding scene and activities. I mostly interview bands that I liked and also skateboarders. I also pasted my artworks that mostly related to skateboarding and music too. I also have contributors who write about all sorts of things. Oppression, police brutality, all the injustice and cruelty in life like racism, sexism and even about puppy love. Starting issue 7, it features more personal writing and ‘whining’ in it.
Besides Mosh zine, I was also involved with The Coalition zine. It’s a collective zine released from 2002 to 2004 if I’m not mistaken. It’s a collective zine concentrated about hardcore/punk and independent music subculture and also social political stuffs. We had a lot of contributors writing about all sorts things from different angel too.
What inspired you to create your first zine?
After reading and buying zines for quite sometime, I taught that I should also contribute some stuff for the zines. So, I started writing and doodling and sent them to the zine makers. But the zines took too long to publish their issues. It also came to my sense that I could come out with my own zine, considering there’s no quality control or something like that in the zine culture. It’s either the readers will like it or not. So I decided it’s better for me to make my own zine. And you can say I never look back ever since. The first issue of my zine, Mosh came out in January 1999.
How did you become introduced to the culture of zines?
I first saw some copies of zines from my eldest sister’s friend when I was 13 or 14. Then I got a copy of Pang! Zine at a jamming studio in Kuala Terengganu town. Then, I order a zine reviewed in Blasting Concept (an independent music column in The Sun) and the rest is history. Some of the earliest zine I ordered through mail were Vortex From The East zine, Hardkoi, and Sandwich zines.
Where/how are your zines distributed? Who are your readers? What kind of responses do you get from your zine’s audience?
I mostly sell the zines at gigs/events and also through mail nowadays. During the earlier issues, I mainly sold through mail. My readers are mostly people who could connect to the music I focus on in the zine; punk rock, hardcore etc and also skateboarding. Most of the issues were promoted using printed flyers, on-line flyers, sms and also word of mouth. Most of the readers tend to not give real feedback nowadays compared to during the earlier issues. Nowadays they just tend to say ‘I like your new issue’ or ‘It’s good!’…
During the first few issues I think I sold over 100-200 copies for each issues. During issue 6-7 I sold nearly 500 copies of the zine. Issue 9 and above were sold about 200 copies each issues.
What do you hope to accomplish by making and distributing your zines?
Just self satisfaction and also just to be a toilet-reading material. I like reading magazines but I normally can’t find a local magazine/publication that I really like cover to cover at the news stands. That’s one of the motivation for putting out new issues.
I just hope my readers would find the zine beneficial for their knowledge, spark some ideas and interest or at least provide entertainment for their free time especially toilet sessions. Getting to achieve that with even one person only, I feel I already accomplish something.
What do you love and find challenging about zine making?
Every time a new issue is done and waiting to go and print them the next morning would be a very excited moment for me. I’ll be so excited I can’t sleep. It’s really satisfying seeing people buying your zine some of them would give feedbacks after they read them. Some other zines would give a positive review about your zine. I guess that are the best moments in a fanzine editor’s life. Another plus points about publishing a zine is you can write anything and any style you’re comfortable with –there are no rules.
The challenging part is of course you have to deal with spending a lot of money, spending a lot of time editing the layout, abusing your office printer and scanner doing test prints and stuffs like that after working hours.
Sometimes it’s tiring and sometimes during this critical period, your machine is giving you a hard time by working so slow or suddenly the power supply not working. Those are some challenges. And it’s also challenging brainstorming what to write about, what to get rid of, and also waiting for the person you interview to reply. Sometimes they don’t reply at all, and that’s frustrating.
What do you think about zine-making today?
I think a lot of kids tend to take zine making for granted these days and think that zine making is an easy task to do. The fact is, it takes a lot sacrifices for people to do fanzine nowadays with all the entertainment at the tip of our fingers. People tend to be so lazy to design a layout, do a collage, go to the print shop, queuing up at the post office, etc nowadays compared to let say 10 years ago.
Most people take zine making for granted because it’s easier to write and post the interview you made on blogs and networking sites like myspace and facebook.
What role does the internet play for you?
I use the internet to promote my zine and also other products me and my friend put out. I also did some research using this brilliant technology for my writing in the zine. It’s a marvelous tool but I don’t really like reading long paragraphs from the screen thus prefer to publish my writings in printed version.
What are some zines you have read lately that you would recommend to someone learning about the zine-making/reading world?
From the local scene, I like Conscious- a personal writing zine and also Hitam Putih zine –a humor style zine. I also like Innerview-basically an interview zine that features musician, artists, and also other people active in the independent music/art scene. DRSA is quite a heavy yet good political zine from the east coast that been publishing more than 10 years.
And for foreign zines go, I’ve been reading some titles from Microcosm Publsihing-they carry a wide range of zines. I recommend people who interested to know about zine culture to see their websites and find a lot of treasure there.
What advice would you give to someone who wanted to start a zine?
Learn to write correctly, apply what you learn in English class –the essay writing. Don’t use ridiculous short forms especially in Malay writing. Only use internet as a source of information, don’t cut and paste writings or articles from internet and print in your zine. Everyone can read themselves from internet.
If you wanna put the writing you wrote for school work, edit it to make it less serious and more fun. Write what you really wanna write not following the trend or what your readers wanna read. Don’t be afraid to be your own self.
Don’t do fanzine because you wanna make extra money –it won’t work. Instead, be prepared to lose money, lose free time and time for TV and girlfriend/boyfriend. If you got a negative review/feedback take it positively and do better issues after that.
Lastly, do archiving for the issues you put out.
What does the zine scene look like in Malaysia? Do you feel part of a zine community or network and what does it mean to you?
Some old kids are still doing zines, some with different name than their previous zines. Some new kids are also started doing zines, hope they keep on publishing zines until they don’t have anything to write or publish anymore.
Yeah, the fanzine makers in Malaysia-we do contact each other and exchange views, trade zines and also promote each other zines. I’m also with some other fanzine editors are planning to make gatherings, fest, and launch parties to promote our latest issues.
What are some of your personal wishes/visions/ideas/plans for the future, if you like to share
I wish I’ll still have ideas and still follow the independent music/art scene so that I could keep on writing about stuffs even though I’ve grown old and have my own family some day. At least I hope I could still contribute to other zines if not publishing my own zines.
Is there anything else you’d like to add?
Thanks for the interview. Good luck and enjoy your life.
aku amik keputusan untuk scrape je Mosh zine punye blog. Banyak sangat blog tak terbela. Sape nak bace blog banyak-banyak. Apa yang ada kat situ, biar la kat situ. Lepas ni ape2 post pasal Mosh zine pun aku buh kat sini jer. Ni ada satu review pasal Mosh zine #13 dari blog wastedcore. Thank You.
Baharom, S (2010) wrote that fanzines should be educating because it is a medium of expression and it’s unlimited. Fanzines can lead the readers to the editor’s world, lifestyle, dream and experience. Personal stories in fanzine are important to create the sense of belonging, education, and a broader window for the readers to editors. He also stated that life is precious so people should do documentation of it by writing fanzines. Fanzines are more than capable to open peoples’ mind. Fanzines can be used as a tool to share stories with friends but you don’t have the guts to talk face to face. The writings will always stay even after we die just like spirit, memory and photographs.
Baharom, S. 2010. Can A Fanzine Change Your Life? Mosh. April.
Hyde, D. (2009) stated that even though some fanzines are lacking content-wise but cut and paste layout that was common for fanzines represents the attitude. All needed are a blade, a stack of old magazines, a typewriter, and some glue, and photocopier access to publish their writing and take it as a hobby.
D, Hyde. 2009. Destroy What Bores You. Maximum Rock N Roll. April.
Glasper, I. (2006) wrote anyone who could put two words together and use a stapler was a potential fanzine editor. Punk fanzines are an act against the glossy magazine who dictated how punks should look, sound and behave. It was inspired by birth of genuine DIY labels, whose records are sold at virtually cost price and how fans of the music can communicate with the artist and book them themselves.
Glasper, I. 2006. The Day The Country Died.London: Cherry red Books.
As mentioned by Todd and Watson, fanzines are printed form of expression on any subject that’s made cheaply. Fanzines can be done by one person or many. It can be in any size; half-page, rolled up, quarter-size and up to the creativity of the publisher. It’s read by anyone willing to look at it. They’re distributed and available at bookstores, zine libraries, comic conventions and also sent by mail.
Todd, M. and E. Watson. 2006. Whatsha Mean, What’s A Zine?Boston, USA: Graphia.
The Do It Yourself empowerment philosophy of the 70’s punk rock revolt brings thousands of dissatisfied followers expressing their selves using the cheapest print method; Xeroxed fanzines. They’re writing the real news and crimes that the mainstream media didn’t expose, forgotten in just a moment and took for granted. Collage method can be mastered naturally with scissors, glue stick, a pen and a sense of humor. Photoshop software makes things easier. Some of them just alter real design or headlines from magazines and even changed the dialogue of comic strips making it more hilarious. Fanzine requires the publisher to communicate and relationship to be exposed –there’s no central source or network. There’s no authority or leader in fanzine movement, there’s no standard to follow obey, it is free. Independent publication counteracts to irrelevant and misleading mainstream media. 50000 fanzines emerged in the USA in the 70’s with the easy access to cheap or free photocopy machine. Most of them are distributed through mail with little publicity. The topics are mostly off-beat interests, extreme personal revelations and social activism. (Vale, V. 1996)
Vale, V. 1996. Zines! Vol. 1.San Francisco: V Search.
Fanzine and self-publication history can be traced from the invention of the printing press. Large scale printed sheets in various sizes with text reporting news were, satire and literature, and religious thoughts also self-published in that era, to spread message to a wide audience. Little-magazines or self-published political publication emerged just before and after World War 1 period (1950’s) that’s also quite similar to fanzines. Then came Dada publications that can be said as proto-zine which also self-published for pleasure or creators and readers, short-lived and ignoring all standards and rules. After that there were surrealist journals that were also self-published. The mimeograph revolution came into picture in 1930’s and was at the high stake during World War 2 with hundreds of zine-like resistance publication produced by leftists. Fanzine was invented by science-fiction enthusiasts in 1950’s. It typically focuses on concepts, rumors, fads and similar phenomena rather than commercial promotion. Nowadays fanzine producers use word processing, design program and internet on computers, it’s all easier. (Ordway, 1996)
Ordway, N. 1996. Zines! Vol.1.San Francisco: V Search.
Fanzine is a short-run periodical produced from passion and self-expression. Fanzine publishers write about things they’re passionate about, it can be anything. It has existed in various forms from letter style to hundred of pages paperback book. Most fanzines are done by one person while others have multiple contributors. Fanzine publishers can be anyone and they don’t fit into demographic groups. Fanzines gave space for non-professional writers and artists that rarely or never published in other media. Fanzines are distributed through underground network and mailed in decorated envelopes. Nowadays, internet helps a lot of fanzines in promoting and communicating. This book is a complete step by step guide of fanzine publishing, different kind of printing method, distributing, copyright and legal issues, managing your little ‘office’ to organizing fanzine related events. (Brent and Biel, 2008)
Brent, B. and Biel, J. 2008. Make A Zine!.Indiana: Microcosm Publishing
Fanzine starts in the 1930’s by science fiction fans to share their science-fiction stories. In mid 1970’s, punk rock music fans made fanzines about their music and culture. They’re publication made not for money but for love. A typical fanzine might start with editorial, opinion based essay or rants, then closed by some reviews of other zines, bands, books and others. The style is between a personal letter and a magazine. Most fanzines look amateurish and done almost entirely by hand buy some printed professional in newsprint format. They are advertised via word of mouth, reviews in other zines and sold through mail, at punk rock gigs and books store and music stores. The book also touch about the fanzine scenes, groups and movement that existed. (Duncombe, 1997)
Duncombe, S. 1997. Notes From Underground: Zines.Indiana: Microcosm Publishing
