projek tahun 2011

Memang projek-projek mega semuanya!!!

1. siapkan mosh zine #14
2. publish buku dum dum tak
3. publish buku kompilasi punk rock
4. release album dum dum tak
5. kahwin
6. errrrrrrrr...anak???
7. habiskan master

gila jugak ya tahun 2011 ni.

Nizang Mosh diinterview majalah dari USA - ALARM

wah, teruja gila...thanks Mallory Gevaert from Alarm Press!

Alarm

Zine Scene: Malaysia's Mosh
November 24, 2010

Posted by Mallory Gevaert

For those who think that the zine is only a recent, Western phenomenon, look no further than the Malaysian zine Mosh to have your expectations demolished. This political, punk-rock zine out of southeast Asia is celebrating its tenth anniversary and thirteenth issue this year, thanks to creator Nizang and an increasingly organized zine-writing community in and around Kuala Lumpur.

When Nizang began publishing Mosh in 1999, at the age of 17, the community in Malaysia was deep underground. “I thought there were no zines from my hometown at that time, and decided I should do one," he says. "Then I realized there were a few zines there, actually; they contacted me and we’re still close friends now.”

Even though the community is stronger than Nizang had once thought, it’s still growing. “Zine communities and collectives are still a very new thing nowadays in Malaysia," he says. "It’s just started to pop out. We have Kudeta Collective, which carries a lot of political zines, and the newly formed Kolektif Kaki Ketik, which aims to organizes zine events as well as publishes zine compilations and books.”

Though still in its infant stages in Kuala Lumpur, a community based around independent publishing has nonetheless begun to materialize. Nizang remains cautiously optimistic about the future of Malaysian independent publishing. “It’s all good, but it’s just at a starting stage," he says. "Hopefully in 5-10 years' time, the independent publishing will be merrier with various genres, plus better quality of writing and printing.”

In short, Malaysia needs zines like this. After several setbacks and hiatuses, Nizang realized how important his zine was when no new zines appeared to fill the niche he left behind. He continues to publish Mosh because he feels there is a need for it, despite its frequent absences.

Part of its longevity is undoubtedly due to the fact that the zine, like any good piece of art, is constantly changing and evolving. Although it started as a local skateboarding and underground music zine, Mosh has changed focus to cover more personal material and, as Nizang says, “ranting.”

“My favorite part used to be doing the interviews," he says, "but nowadays it’s the real-life stories. I’ll be very excited anytime I have something in mind to write about."

One thing that hasn’t changed is the dynamic and colorful DIY aesthetic of the covers, which are anything but mainstream or polished. Nizang thinks of his zines as a special product, and he stresses, “Be honest in what you write, because your published writings will remain forever in the hands of your readers. Don’t forget that people might still be reading your writings in 10 years' time after the date it was written.”

Though Mosh used to be published in a mixture of Malay and English, it’s now “95-100% English,” and the language barrier can cause some confusion. He recalls, “I nearly got beaten up because I referred to some metal-music old-timers at my hometown as ‘old dogs.’ Two metal-heads came and warned and threatened me and said I shouldn’t write like that because dogs are considered ‘dirty.’ They took the term literally; that’s funny.”

Nizang also understands the importance of branching out in order to remain relevant. In 2010, he helped to set up the Kuala Lumpur Zine Fest. “There was no event specifically to celebrate zine culture for a long time here," he says. "We had zine selling, trading, some light music performances, and also zine-reading sessions. It was fun, and my friends and I are looking forward to organizing some more zine-related events in the future.”

last minute launch party

on the spot flyer design. sketch yg aku buat dari foto milik fara. gambar 3 orang crowd di gig Efek Rumah Kaca.

knowledge #8: asal nama watak kartun

Rasanya ramai dah tahu nama karektor-karektor dalam siri kartun Ninja Turtles diinspirasikan dari nama artis-artis terkenal dari barat iaitu;


Leonardo Da Vinci



Donatello



Raphael



Michaelangelo



tapi masih ada yang tak tahu bahawa siri kartun Oggy and the Cockroaches pulak terinspirasi dengan nama-nama punk rockers utk watak-wataknya. Kucing dalam kartun ni, Oggy. Nama ini dipilih sempena nama Iggy Pop yang terkenal dengan kumpulan The Stooges.



Iggy Pop

Lipas-lipas dalam kartun tersebut pulak bernama Dee Dee, Marky dan Joey iaitu nama ahli kumpulan punk terawal, Ramones.



Dee Dee



Marky



Joey


Dulu tahun 2005, aku kena design maskot untuk negeri Terengganu. So, aku buat watak penyu dan bagi nama Awang. Juga diinspirasi oleh seorang punk rocker dari Terengganu, Awang dari kumpulan Dully Dog/The Let's Go.

publish your own

Knowledge #7: Keith Rosson

Keith Rosson started with the DIY culture in the late 90’s and galleries. He has participated in nearly three dozens group exhibitions over the past twelve or thirteen years.

He’s also an illustrator and graphic designer, having done work for bands such as Against Me!, Hot Cross, Submission Hold, Amanda Woodward and more. When he’s not painting pictures of floating wolf heads or rabbits in gas masks, he works in education.

This two-person exhibition with Mario Robert marks the last show he’ll be having on the west coast (or anywhere) for some time. Over 80 paintings old and new were exhibited.

Keith said he worked with heavy, obvious themes in his mind; universal theme, loneliness, jingoism, lack of emotional connections, greed, kindness, justice.

He grown up with comic and punk culture and his arts are strongly influenced by these two elements.

Knowledge #6: Rejabhad

Rejabhad (born Rejab bin Had) is a Malaysian legendary cartoonist in the Malaysian comic industry. Known as King of Malaysian Cartoons or Malaysian Comic Headman because of his huge contribution towards Malaysian comic industry. He did in 2002 due to heart disease.

Even though he loved drawing, he joined Malaysian Army right after he left school because at that time, being a cartoonist might not be able to guarantee the future life. He joined the army about three months after his debut comic was published in Gelanggang Filem magazine.

He became a full-time cartoonist for Gila-Gila magazine right after he retired from army services. He was the first Malaysian cartoonist who hired personal car driver but he prefer walking and boarding LRT instead. He was the only cartoonist in the world eligible for the title Comics Headman by a comic publisher since there was no comic publisher in the world which dared to offer the title to any of their cartoonists.

As a cartoonist, Rejabhad applied the basic principles of comics that comics functions to criticize certain issues lightly. Because Rejabhad was born before Malaysian independence, he is well-known for drawing comics according to latest events but with traditional, classic strokes. In addition, he often used philosophies in the dialog boxes in order to make his comics even more interesting.

reference: http://en.wikipedia.org/wiki/Rejabhad

Knowledge #5: Aaron Cometbus Art Show

Aaron Cometbus is well-known for his writing and his bands, but his distinctive Xerox-style artwork hasn’t gotten it deserves. His first official art show happened at 1-2-3-4-Go Records in Oakland through the end of February. The show displayed his flyers art, record art and personal archives. It also showcased among others a barely-seen innovation of flyer for a club’s last show, with photos of and word-bubble quotes from regulars about its importance.

The message behind his artwork is more than manipulations and intricate patterning. It’s the right of flyering as a freedom of speech for the underprivileged.

His working methods have always been fascinating. He used Kodak IM-40 for halftones and reversals; no one could ever achieve the same effect on the same machine. Some tricks are hinted at this show by revealing different stages of work.

Unlike a conventional art show, nearly all of the pieces are photocopies and none are for sale. Xeroxing or silk-screening became an integral part in his creative process. Without that final step, to him the work feels incomplete which is why copies are showcased rather than the original cut and paste.

reference: http://www.bohemian.com/citysound/?p=2941

knowledge #5: comix

Underground comix are small press, self-published comic books. They differ from mainstream comics because not forbidden by Comics Code Authority. They were popular in the US (1969-1975) and UK (1973-1974). It was popular with the hippie, punk and other alternative subculture.

In 1982, comix were distributed through the emergence of specialty stores. Early underground comix are still on sale today alongside recent underground publications.

In the US, underground comix emerged in 1960’s as antithesis against mainstream comics. Early comix focused on subjects such as drug using, politics, rock music and sexual intercourse. These titles were termed "comix" in order to differentiate the comics from mainstream publications.

reference: http://en.wikipedia.org/wiki/Underground_comix

knowledge #4: DIY movement

The DIY movement is about using anything available to create your own subculture entity, things that are missing in the mainstream market. DIY zines, albums, books and movies are some of the things that any random people can create. This underground scene goes against the grain and produce unique and fresh arts, regardless it will sell or not. DIY culture evolves with rapid technology and gives alternative to it. As opposed to mass media which promotes consumerism, DIY culture encourages people to contribute and produce something on their own. Independent magazines and newspapers are also having the similar ideas and purpose which is to put words into print. The big ideas is if you can’t find the cultural experience you are looking for, create your own alternative.

reference: The Rise of Lo-fi Culture book

knowledge #3: History of Fanzines

Fanzine and self-publication history can be traced from the invention of the printing press. Large scale printed sheets in various sizes with text reporting news were, satire and literature, and religious thoughts also self-published in that era, to spread message to a wide audience.

Little-magazines or self-published political publication emerged just before and after World War 1 period (1950’s) that’s also quite similar to fanzines. Then came Dada publications that can be said as proto-zine which also self-published for pleasure or creators and readers, short-lived and ignoring all standards and rules. After that there were surrealist journals that were also self-published.

The mimeograph revolution came into picture in 1930’s and was at the high stake during World War 2 with hundreds of zine-like resistance publication produced by leftists. Fanzine was invented by science-fiction enthusiasts in 1950’s. It typically focuses on concepts, rumors, fads and similar phenomena rather than commercial promotion.

Nowadays fanzine producers use word processing, design program and internet on computers, it’s all easier.

reference: Vale, V. 1996. Zines! Vol. 1. San Francisco: V Search.

Knowledge #2: Dr. Fredric Werthham VS Comic books

In 1948, Association of Comic Magazine Publishers (ACMP) was formed by some comic publishers. The goal is to set guidelines for comic books to be published and reduce the criticism against comic. They set a board of people who will approve the comic before sent to print.

Just before that, a mass burning of comic books happened after a house to house collection was made by the citizens of Binghamton, New York on December 20^th 1948. It was reported by Time magazine including a photo of that event with kids watching in the background.

Dr. Fredric Werthham was the scariest thing happened to the comic culture. He was a highly distinguished psychologist who thought comic books were bad for kids and effort to totally ban had a lasting impact until today.

He studied children and wrote in his book Seduction of the Innocent that comic is the major cause of juvenile delinquency. He also stated that comics gave wrong ideas about physics laws because Superman could fly, Batman and Robin characters re-enforcing homosexuality and Wonder Woman was giving little girls the "wrong ideas" about a woman's place in society.

REFERENCE : http://www.psu.edu/dept/inart10_110/inart10/cmbk4cca.html

Knowledge#1: Dishwasher Pete

Pete Jensen, better known as Dishwasher Pete had set a goal to wash dishes in every state in America. He wrote about it in a zine called Dishwasher. He washed dishes professionally about ten years, in restaurants, hospitals, cafeterias, greasy spoon cafes, canneries and whenever there are dishes that needed to be clean.

He quitted a lot and can’t remember how many jobs he’s had. He had no home. He sold his zine for $1 each and made 2, 000 copies. He could have just make a living just by selling his zines but he refused to do so. This is because he thought he’d be too lazy to wash dishes, and then have nothing to write about.

He attended a half dozen colleges, with various majors, but never graduated. He just wanted to wash dishes.

Dishwasher Pete earns from $4.50 to $7.50 an hour in jobs that get no respect. But he did not need respect. He only wants to be left alone. "I do most of my writing in my head while I work," he said. "They rent my labor, not my mind."

He has no desire to move up the corporate ladder. When his boss offered him a promotion as a cook, he answered. "I'm a dishwasher, not a cook!"

He was scheduled to appear in Late Night Show with David Letterman in. Instead of appearing himself, he sent an imposter. But he sent his real self on the same show a year later, to talk about his book, Dishwasher.

reference: http://www.outwestnewspaper.com/pete.html

Sandwich Skatezine

Sandwich Skatezine is a skateboarding zine from Malaysia that was published from 1997-1999 (?) by Kuntai Crew. Kuntai Crew consisted of Pa'din, Fadzly and Lelixq. Pa'din is a house whole name and still one of the leading skateboarders from the country who represented in many competitions overseas as well as locals.

They had a strong propaganda against inline skaters. There were campaign against inline skaters along with drawings, comics and listings in each issue.

In that period of time, they managed to publish four issues. Each issues featured letter section, local and international skate news, skate scene, skate competitions, skate demo reports and skateboarding photos. It also featured interviews with local and foreign skateboarders.

The skateboarders interviewed were

issue 2: Ali Kundang (Malaysia)

issue 3: Willy Santos (USA)

issue 4: Mike Crum (USA)

They used the tag line "Why Eat When You Can Keep".

Each issues also featured interviews with hardcore punk bands with skater members, skaters phone numbers and flyers from the hardcore punk scene.

The bands interviewed were

issue 1: Blindrage and No One's Perfect.
issue 3: Disaster Funhouse.
issue 4: Second Combat and Engage In Combat.

The crew went on to publish a glossy skate magazine called Revolution that were available at all news stands nationwide which marked the end of Sandwich Skatezine.

kata pujangga

"Kahwin ni macam buat zine jugak. Kena ada komitmen!" -Jeff, Cheras

kolektif kaki ketik

aku ngan kawan2 ada cadang nak buat kolektif zine. antara perancangan aku utk kolektif ni:

-zine fest (annually)
-zine gath (bila perlu...mcm january ni ada editor zine USA nak dtg)
-other zine events

-zine compilations (annually atau bila ada hasil)
-zine distribution
-tong duit utk publish buku punk rock jera/dhani
-ultimate goal: release zine book
-jual zine dan buku secara online.

Kill 'em termites

A few weeks ago, my sister found out that our house in Kuala Terengganu got attacked by termites. She first noticed these termites when she found my brother's birth certificate that became one of those termites' foods. Then she began to notice more and more books, magazines, and even the furnitures were all eaten by termites and another wood-eating creature. All her Chicken Soup books that she bought for more than RM500 were destroyed and also all her Readers Digest magazines got ruined and need to be thrown away too.

When the pest control people came, coincidancely I was there. They took out all the stuffs from under the stairs at our house, all hidden treasures that was put there when we first moved there in 1998. There were all sorts of stuffs; toys from our childhood days that made my nephew excited, winter clothing, my late father's 80's shirts and pants, books, my sister's scrapbooks, school yearbook and even work-out and health tools.

It costs RM2000 to kill those termites, that's a lot of money but there's a warranty for three years. Meaning we can call the pest control anytime and ask them to kill those termites in the period of three years (if they ever return or if we discover other corners where they play and hide lah!).

Some tips to share if the same thing happens to your place; firstly make sure you take out all the stuffs from your house first especially all the corners where the termites are playing and hiding. Second, make sure when the pest control people come, no small children especially babies are around in the house. It's quite dangerous I guess. The poison can kill all small animals including lizards and rats too. They'll drill holes on the floor and ground around your place and put the poison.

Luckily, I've brought my zines and book collection to KL and didn't leave them there especially under the stairs. I'm always thinking about archiving my zines collection. Maybe I should seal the zines that are important to me. It's always on my mind, what if my zines collection got damage by any natural disasters, etc. My zines collection is an important part of my life. The most important are of course the master copies and copies of my own zine. I've read a zine about archiving zines for the future, maybe I should follow the tips.

The house was still in a little mess after all the termite’s genocide fiesta. Should get cleaning for Raya soon.

punk pelempang

Mak: Siapa Awang tu? Doktor? Mejistret?!!!

Anak dara: Budak punk, mak...

Pokcik Kadir Datang Lagi!

HOMESICK omnibus zine

Out next week!
RM3 by hand, Rm4 by mail

3 pagi di Cabang Tiga

Malam raya pertama aku lepak dengan Rizie, Tobek dan Buyeng di tempat biasa, foodcourt di Tanjung, Kuala Terengganu. Lepas minum teh tarik, kami ke Pantai Batu Burok tapi hari hujan. Entah mimpi apa, kemudiannya kami ke Cabang Tiga untuk mencari rumah yang meletup akibat menjadi stor mercun pada bulan puasa yang lepas. Rumah tersebut tidak jauh dari rumah Rizie yang juga tinggal di Cabang Tiga. Lepas bungkus burger oblong 2 bijik di tepi jalan besar. Jam di dashboard kereta menunjukkan pukul 3 pagi.

Badan budak umur 6 tahun tercampak ke atas pokok. Otak bersepai di atas tanah. Satu Kuala Terengganu bergegar macam masa askar Jepun mula masuk dulu-dulu. Begitulah cerita penduduk Cabang Tiga yang sempat aku jumpa. "Telinga dijumpai selepas dua hari!" tambah Rizie.

Pukul 3 pagi pun ada yang masih baiki kereta Mercedes berseorangan. Keadaan gelap, lorong sempit dan lokasi kejadian hanya bersebelahan tanah perkuburan. Rizie terdiam mengenangkan cerita hantu zaman kanak-kanak dulu.

Kawan aku yang tinggal di Cabang Tiga mengatakan Cabang Tiga menjadi seperti pusat perlancongan baru selepas kejadian tersebut. Orang dari dalam dan luar negara bertandang untuk melihat sendiri lokasi kejadian rumah meletup tersebut. "Nasib baik bulan puasa, kalau dok mesti ada yang jual air dan keropok lekor".

Memang budaya di sini sebegitu. Mereka berniaga air dan keropok lekor di Stadium Runtuh dan juga di sekolah dimana tiang bendera berhayun-hayun. Jadi pesta.

senarai email

antara alamat email yang aku pernah pakai sejak aku kenal dunia internet:

suratpanasss@hotmail.com

cendolgoreng@goplay.com

gothamcity69@yahoo.com

kalangcatmagik@hotmail.com

coalitioners@yahoo.com

nervousrecs@email.com

nervousrecs@yahoo.com.my

nizangmosh@gmail.com

nizam@limkokwing.edu.my

korang masih ingat lagi korang punya senarai email??????????????????????

SHRA2010

korang dapat berapa keping kad raya tahun ni? yes, the physical kad raya. Aku dapat 3...masih glamer nampaknya :)

foto diketik di Masjid Besi, Putrajaya

"old dogs"

Pernah aku hampir dipukul oleh dua orang budak muzik metal di kampung aku gara-gara penulisan aku dalam zine ni pada keluaran ke-7. Aku menggelarkan orang lama dalam scene muzik metal di Terengganu dengan gelaran ‘old dogs’. Bertempat di luar A//Mince infoshop di mana aku selalu lepak di bandar Kuala Terengganu suatu tika dulu, mereka bertemu dengan aku dan seorang kawan metal aku. Mereka sangat marah sambil menyoal aku dan ingin membelasah aku dan mengatakan aku menghina wira-wira dan rakan mereka. Langsung tiada niat untuk aku mengutuk mereka. Ia hanya gelaran yang pada hemat aku menunjukkan orang lama dan disegani. Mereka tidak dapat terima alasan aku, dan bersyarah pada aku tentang anjing adalah binatang najis dan aku tidak patut tulis begitu. Aku hanya meminta maaf. Kawan aku itu menenangkan mereka dan mengatakan mungkin ia adalah istilah punk yang tak difahami oleh budak metal. Mereka tak jadi pukul aku. Kalau dia tiada di tempat tu, sudah biru mata hitamku dan kehilangan gigi barangkali.

Baru-baru ni aku tengok filem tajuk ‘Old Dogs’. Aku harap mereka juga menonton filem tersebut dan sedar bahawa ia bukan tentang binatang berbulu berkaki empat. Langsung bukan!

test market

lukisan untuk penjawap survey Mosh #14

Untuk isu 14 Mosh, iaitu childhood issue aku ada buat survey (yg tak kene sangat ngn tema isu tu pun). Taruk gambar je bosan, so aku lukis gmbr org2 yg jawap tu. lebih kurang macam ni la....hahhaa....More to come...